James Rowe is a prolific music composer, and yet most of us have probably not heard of him. He was born in Ireland and worked for the Irish government before immigrating to the United States in his late 20s. Eventually, he became a full-time writer, composing hymns and editing music journals for publishers. One of my favorites songs among his

My friend, George (Chuck) Hunter, has told a thrilling story – one of those lively vignettes of Methodist history that gives us our vision for now and the future. A great Methodist leader named C. C. McCabe was the leader of new church extension for the Methodist Episcopal Church in about 1881. He was a prodigious planner, strategist, fund-raiser, and

I read T. S. Eliot’s poetry, even though I have to struggle to read and understand it. I keep reminding myself that what he expresses is worth the arduous effort and energy I might exert in reading him. One of his geniuses is his creation of power-packed phrases and images. Here is one of them: “For most of us, there

We have been pondering the way Jesus’s resurrection can crack through our worry. An important perspective on hearing Jesus’ word, “Don’t be anxious,” is to know that he is certainly saying  Don’t borrow the trouble of worrying about your ability to live the Christian life. This is something most of us have thought little or nothing about. Yet, I think

There have been a few occasions in my life when, almost immediately after meeting and greeting a person, they asked, “What are you worried about?” Persons often wear themselves on their faces. In my last article I reflected on Tennessee Williams’ image, violets cracking rocks. In his teaching, Jesus used an equally powerful image: “Consider the lilies… how they grow;

Easter is the punctuation mark of the Christian Faith: the death and resurrection of Jesus, God’s Son as his gift of salvation for all who will receive it. Easter stirs an image in my mind: violets cracking rocks. The image was connected with the work of Tennessee Williams, one of America’s greatest dramatists. In their commentary about his life and