Distinctive Style of Methodist: Knowing Who We Are by Maxie Dunnam

Circumstances sometimes call us to do strange things – things we would not otherwise do. Circumstances also cause us to do things we should have done but never got around to before.

Two out-of-town visitors were walking along a street in New York City late one night. One of the pair, wary of the reputation of city streets at night, kept glancing over his shoulder, nervously eyeing every alley and shadowed doorway. Sure enough, his anticipation was rewarded. As the two rounded the next corner, two muggers appeared out of the darkness and closed in. The nervous fellow knew what was going to happen. He reached for his wallet, pulled out of a $50 bill and handed it to his friend: “Joe, here’s that $50 I’ve been owing you for six months.”

According to some critics, John Wesley never had an original idea in his life. He just borrowed from others. But the point is, even if it’s true that Wesley only borrowed from others, that would hardly solve the riddle of this man and the spiritual dynamic of the Methodist movement. Wesley’s genius and originality lay precisely in his borrowing, adapting, and combining diverse elements into a synthesis more dynamic than the sum of its parts.

Wesley also had the genius of putting an expansive, explosive truth in a single, sometimes simple sentence or a pithy phrase. He encapsulated his vision of mission and ministry in the sentence that has been on the lips of Methodists ever since: “The world is my parish.” He borrowed from Paul to summarize his theology succinctly: “Faith working through love.” He gave a challenging and rather complete principle of stewardship in the crisp triplet: “Gain all you can, save all you can, and give all you can.”

He put controversy into perspective, and challenged our motives, “Fervour for opinions is not Christian zeal.” He found unique ways to call people back to the essentials of Scriptural Christianity, “Though we cannot think alike, may we not love alike? Can anything but love beget love?” He described his whole approach to differences in belief and church order in the one question: “Is thine heart right, as my heart is with thy heart?… If it be, give me thine hand.”   

Together, these references suggest there is a distinctive Methodist style. I want to confirm and commend that. My wife, Jerry, and I live in a life care community. Even casual conversation and the way persons relate in our community reveal something of what they believe. We Methodists are a minority in the community, Church of Christ and Baptists are majorities. Even if I were not deliberately observant, I believe I would sense “something different.”  I think that has to do with style.

Diana Vreeland was an undisputed leader in fashion. She wrote her autobiography with the simple but stylish title, DV. It recorded her lifetime of living with inimitable style. She made a big point about the importance of style by referring to Japan. “God was fair to the Japanese,” she said. “He gave them no oil, no coal, no diamonds, no gold, no material resources-nothing! Nothing comes from the island that you can sustain a civilization on. All God gave the Japanese was a sense of style” (House and Garden, April 1984, p. 36, excerpts from DV). It was the ultimate compliment to the Japanese from this fashion style setter.

Methodists have a style that, to a marked degree, defines our uniqueness. I’m going to reflect on this distinctive style in the weeks ahead, and post here on Wesleyan Accent.

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